Concert
In Rhythm
- Favorite Theme From Tchaikovsky's First Piano Concerto
- Favorite Theme From Tchaikovsky's Swan Lake Ballet
- Favorite Theme From Rachmaninoff's Second Piano Concerto
- Favorite Theme From Tchaikovsky's Fifth Symphony
- Early Evening (Theme From The Ray Conniff Suite)
- Favorite Theme From Tchaikovsky's Romeo And Juliet
- Rhapsody In Blue
- I'm Always Chasing Rainbows (From Chopin's "Fantasy Impromptu")
- The Lamp Is Low (From Ravel's "Pavane For A Dead Princess")
- On The Trail (From Grofe's "Grand Canyon Suite")
- My Reverie (From Debussy's "Reverie")
- Schubert's Serenade

Original LP liner notes:
Wonderful, marvelous and awful nice as his first three Columbia collections have been, Ray Conniff strikes out toward new horizons in this latest addition to his splendidly danceable and listenable offerings. This time he looks away from popular classics into the field of serious music, taking favorite and familiar themes and setting them in new voicings for orchestra and chorus. This is a process that has been going on for some time ó I'm Always Chasing Rainbows was borrowed from Chopin some thirty-odd years ago ó but it has rarely been accomplished with the lilt and freshness that Ray brings to this program. And as always, he has made sure that this particular collection is different both in approach and content from his others.

The second part of the program opens with Ray's arrangement of the broad, flowing theme from Gershwin's Rhapsody in Blue, again using the wordless chorus, and continues with the afore-mentioned I'm Always Chasing Rainbows, adapted from Chopin's Fantasie-Impromptu. Here, on this side, Ray reverts to his more familiar style and sound, keeping nevertheless a solid relationship to the larger orchestra used in the first half of the program. Maurice Ravel's Pavannne for a Dead Princess is heard next, in the famous adaptation called The Lamp Is Low, the Conniff arrangement stressing the mellow qualities of the melody. Then, in a setting of the On the Trail movement from Ferde Grofé's Grand Canyon Suite, comes a cheerfully humorous interlude, followed by a contrastingly romantic selection, Claude Debussy's Reverie. Ray has achieved an unusual effect by using the orchestral coloring for the romantic atmostphere, over a catchy shuffle-like rhythm. He concludes his concert in rhythm with Franz Schuber's Serendade, set in a delightfully rhythmic concept that gives the charming old melody a new twist, typically Conniff and typically enjoyable.
Source: https://www.rayconniff.info/comcast/disc_orig.html
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